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| 1. The Sound of a Wild Snail Eating by Elisabeth Tova Bailey | |
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(2010-08-24)
list price: $18.95 -- our price: $12.89 (price subject to change: see help) Isbn: 1565126068 Publisher: Algonquin Books Sales Rank: 2083 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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| 2. The Best American Science and Nature Writing 2010 (The Best American Series (R)) | |
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Customer review from the Amazon Vine™ Program (What's this?) This collection of "the best" science and nature writing of 2010 (collecting articles published in 2009), is certainly not just for scientists. In fact, scientists may find it frustrating, given that it's really comprised of articles that are geared towards the general public, most of which appeared originally in "general interest" publications: eight of the twenty-eight articles were first published in The New Yorker, seven in National Geographic, leaving thirteen which appeared in a variety of other periodicals such as GQ and The New York Review of Books. Not one of the articles chosen came from Scientific American or Science. There isn't a single article on Public Health or Mathematics, and the only Biology/Medical Science covered at all is Neurology, and all three articles in this section focus on behavioral issues (memory alteration, self-control, neurosis). The collection is more remarkable for what is missing than for what is included.
The articles are, of course, well-written and interesting, and favor "nature" writing over "science" writing, with three sections dedicated to the environment. One such section, "Natural Beauty," gives fifty pages to the singing of the Earth's praises for its stunning diversity and, well, natural beauty. These essays cover the status of Minnesota's goshawk, a "raptor of gentility," as it struggles in the face of logging interests in Gustave Axelson's "The Alpha Accipiter," and the elegantly written celebration of the New Zealand godwit, "Flight of the Kuaka," by Don Stap, as well as a brief piece by famed naturalist Jane Goodall on the mysterious survival of a phasmid thought to be extinct. Given the controversial stand of the editor, Freeman Dyson, on the subject of climate change, these essays smack just a little bit of "things aren't as bad as they seem here on planet Earth," and serve to challenge the importance of the collection as a whole. In the section titled: "The Environment: Doom and Gloom" Dyson cedes the floor to "climate-alarmist" Elizabeth Kolbert for two articles, "The Catastrophist," a profile of climatologist/activist James Hansen who is unrelenting in his efforts on behalf of educating politicians on the drastic state of the planet, and "The Sixth Extinction," which posits that if current trends are any indication, half of Earth's species will be gone within the next century. Jim Carrier tells us more than we want to know about where the shrimp in our cocktails is coming from in "All You Can Eat," a profile of shrimp-fishing trends and disasters, and Felix Salmon gives us the mathematics of bad money management (on a global scale) in "A Formula for Disaster." Then Dyson wraps the book up with an octet of "Small and Big Blessings" to reassure us. In addition, the first section, "Visions of Space," sees Tom Wolfe passionately decrying the end of the Space Program and our failure to get to Mars, Andrew Corsello profiling South African genius Elon Musk and his extraordinary journey to riches, and Timothy Ferris rhapsodizing about telescopes. There's nothing wrong with any of these essays, or with the collection itself, but given the current state of things like Public Health, constantly evolving stem-cell research, genetic engineering, and of course, the ethics of all this evolution, it seems that a better title for this book would have been "Science & Nature Writing: The Best Light Reading of 2010."
Customer review from the Amazon Vine™ Program (What's this?) If you're hoping to find some enthusiastic,insightful writing here, along the lines of Lewis Thomas, Stephen Jay Gould, Loren Eisely, Barry Lopez, or a host of other nature/science writers, go elsewhere. As I read the articles/essays in this collection, I had the sense they were all written by one person. They are descriptive and stick to the facts, with a few novel tidbits by some authors to make their subject matter seem a bit more interesting, for example, one researcher discussed in one essay likes Jimi Hendricks, another uses vernacular like "It sucks," etc. Does that impress or delight you? It sure doesn't do that for me. There are a few contributions on neurobiology (almost a requirement nowadays for such a collection I guess), but nothing noteworthy. The authors stick primarily to the facts. There's no attempt at addressing moral philosophy, personal viewpoints on the subject matter, quantum leaps of insight by the writers. It's all basically journalistic.
The typical essay starts with an anecdote, something like this: "Dr. Ralph Fenstermenster was crossing his college campus when he discovered a piece of chewing gum stuck to the sole of his shoe." Then we get some personal reminiscence like, "Fenstermenster recalled how when he was a kid, he would spit out his own chewed gum, gleefully thinking how someone would end up with it under HIS shoe." Then a little development: "Fenstermenster considered the cognitive and attitudinal changes he had experienced on his journey to adulthood, and wondered if there was a structural change in the brain that made these changes universal." Then we learn how he got funding from a skeptical committee, science foundation, university, etc., who thought he was a crackpot for wanting to find this structural change. Then he dissuades his detractors and proves he has found such a developmental mechanism. Then we learn he has a celebration party at his favorite Northern Italian restaurant, where his friends have ordered his favorite Pinot Grigio. I may be a bit harsh here, and you might suspect I didn't actually read these essays. However, I did, but their quality got me depressed, so why re-visit them? Maybe I'll do some research on 'Factors in typographic information avoidance,' present it to my peers, and someone can write a science article about me. This is not to blame the editors, including the impressive Freeman Dyson. But in the introduction even the series editor states that science writing is becoming rarer and rarer in the popular media (read: The New Yorker). It really is a shame. The New Yorker used to publish an issue that was an entire book-length essay (i.e., J. Schell's [sic?] 'The Fate of the Earth.' Now, you'd probably have to tweet it to get any recognition. For a terrific science writing anthology, get Richard Dawkins' edited book published by Oxford Univ. Press.
Customer review from the Amazon Vine™ Program (What's this?) THE BEST AMERICAN SCIENCE AND NATURE WRITING0-2010
There are as you may know a series of the Best American writing of all sorts, travel, short stories Mystery writing, Poetry, etc. This one is, as the above title indicates, is titled, THE BEST AMERICAN SCIENCE AND NATURE WRITING. Freeman Dyson is the Editor; Tim Folger is the Series Editor on this volume. There are 28 articles, reprints from various high profile magazines, such as Wired, the New Yorker, National Geographic, OnEarth, Orion, GQ, Discover and several others. Great writers as well as great scientists flood the pages with outstanding stories. Writers and/or scientists such as such as Tom Wolfe, Steven Weinberg (a Nobel Prize winner), Timothy Ferris, (one of my favorite science writers) Jane Goodal, Elizabeth Kolbert and many more grace the pages with outstanding tales and scientific realities. Wisely, for greater readership I suppose, as well as crisp reading, most of the articles are not hard-wired science; they are told in mainly layman's language. Dyson highlights these essays covering astronomy and cosmology, neurology, nature writing, and three sections loosely organized around various views and aspects of the environment. Since I have great interest in a variety of science and nature subjects, and some more than others, I picked about and around, not reading the articles in the order of their posting, checking off articles as I read my way through the book and eventually reading the rest of the 28 far more quickly than I had estimated. Among my very favorites were: David Quammen's Darwin's First Clues, Kathleen McGowan's Out of The Past, The Flight of The Kuaka, which I read when it was originally published written by Don Stap. Others I thought outstanding and compelling; The Lazarus Effect, by Jane Goodall, Cosmic Vision, and also Seeking New Earths, both by Timothy Ferris, Brain Games, by John Colapinto, a few of which I here describe in greater detail. My first choice was David Quammen's Darwin's First Clues. My first love among the sciences is Anthropology (in which I won a Ford Foundation Fellowship) and this story was not disappointing. In this short article (9 pages) Quammen exposes some widely unknown, exaggerations, falsehoods, fairy tales, "cartoonish," fables, omissions, false assumptions, of which most Anthropologists who ventured beyond undergraduate studies would easily know but most other scientists and certainly laymen, or even physicians would not. Included are some errors and false assumptions by Darwin himself. Among the many discoveries that were non-fiction, were the remains of the Elephantine Megatherium, a discovery, back when I was an undergrad student, this was for me, riveting. This beast was the largest land mammal ever found (and was also of course, obvious by its size, not a tree climbing sloth.) It is also important to note, according to Quammen, One of Darwin more humorous mistakes was when he mistook a rea for a juvenile ostrich, having forgotten to snare one to bring home until after an affable gaucho had killed it, roasted it and Darwin's party ate it. I won't spoil some of the larger discoveries and misapplications, nor the misunderstood skills attributed to the "highly attentive" field man Darwin was, and the myths which surrounded his adventures, his actual as well his mythical discoveries and those falsely attributed to him. His studies and implications of varieties of rea's he said, are more than interesting, as were his hints that his discoveries concerning human evolution were in 1845, less important and provable than those of Galapagos birds. Darwin's term, "transmutation" preceded his thoughts of "evolution." It was not until 1858 that he began to piece together in writing his ideas about evolution and his treatise through which he hurried, sketchily, gave form to his now more immediate and perhaps older, more underlying idea, which he feared he had too long put off, and for which he might lose credit to others for, "On the Origin of Species Through Natural Selection which became a runaway best seller. Great article. Likewise, in the neurology section an article concerning the reprogramming of traumatic memory stress in efforts to reduce the ruinous impact of PTSD, (Post Traumatic Stress Disease). Kathleen McGowan's, OUT OF THE PAST for Discover magazine concerns a breakthrough protocol, using a common blood pressure medication and some simple and short term memory therapy for certain types of PTSD, attached to trauma forced upon the memory in which fear and/or anger well up causing a person to constantly relive the trauma's of war, accident, rape, torture and other horrific experiences. Would it work? Is it a viable treatment? Are there off-the-hook repercussions if and should be used for violent criminals to suppress their own memories of their violence? This protocol may hold great promise, may be a great discovery, especially if we later find the that "common BP drug" does not, like so many other concoctions of the Legalized Drug Dealers of America, the Pharma's, turn deadly. I personally, have a problem with calling PTSD a disease; it is more of an injury - a trauma to an organ, the portion of the brain, which serves memory. Disease indicates that drugs can be found to cure it. Damage to other organs, like a ruptured spleen, a broken leg, or a bullet or knife wound, are injuries, and yes, certain drugs can overcome or protect against infection but cannot "cure" the injury itself. There are no known antidotes for injuries. The "common" BP drug assists in some way, to calm a person's anxiety, but is not without other forms of mental therapy, a "cure" in this case. I also found interest in Visions of Space, The Believer, One giant Step to Nowhere, by Tom Wolfe, whose humor I have liked in the past, though here after the first few pages the humor waned. I likewise loved the intelligence of, The Missions of Astronomy, Cosmic Vision, and most especially, Seeking New Earths, which is at once Sci-Fi and Sci-Fi transforming itself into to non-fiction. Further, in The Neurology section, all three stories were thrilling and maybe some may find, a bit awesomely spooky. The excitement of the rest of the stories, was, depending upon your point of view and favorite science, were at least rather compelling. I liked The Environment, Gloom and Doom and the other four articles in that genre, including two by Elizabeth Kolbert, very intriguing. The answers to that challenge, the environment: Small Blessings was less attractive as was Big Blessings. Another excellent and fascinating article, involves the environmental area featuring two sides (really, three sides) to Global warming and other aspects of what is known by most of those with foresight, the exploitation of Planet Earth by the greedy Corporate interests. Some believe that environmental disaster might be averted, others, judging by past experiences, perhaps more sensible, do not. Other reviewers who here published their reviews before I received my Vine copy, detailed all of the stories, so there was no need for me to duplicate their efforts. I simply reviewed in detail those, which were my top choices among the 28 I read. I found among them all, however, nary a losing effort, all wonderful in their own way and discipline, though one or two, one of which I mentioned were weaker than others were. Almost all were excellently written, riveting and charming. However, each of us may find some articles, according to our individual interests, more interesting than others. This series, which began in 2000, has maintained, with various noted scientists as Editors, a consistently high standard. Bravo!
Customer review from the Amazon Vine™ Program (What's this?) In his introduction to The Best American Science and Nature Writing, physicist and professor emeritus at the Institute for Advanced Study in Princeton Freeman Dyson laments the decreasing attention given to science writing in today's American magazines . Although the quantity may be down, the quality is still excellent, and science enthusiasts typically find ourselves in the enviable position of having too much to read and too little time. Since 2000 the series The Best American Science and Nature Writing (and the very similar series Best American Science Writing) has eased our frustration just a little by publishing an annual collection of the best short science and nature pieces as chosen by a guest editor from a larger initial selection made by series editor Tim Folger from publications such as The New Yorker, Discover, The New York Times, and National Geographic. Guest editors are well-known scientists or science journalists , and past editors included people like E. O. Wilson, Brian Greene, Jerome Groopman, and Richard Preston. I imagine Folger having one of the best jobs in the country, reading science articles to try to identify the best 122 articles to present to the guest editor, but I do not envy the guest editor who has to choose the final 28!
People of the caliber of these guest editors have wide-ranging inquiring minds, and the articles are diverse, but each annual volume reflects the special interests of that year's editor. Dyson is no exception to this, but his selections might come as a bit of a surprise to readers, because, although space science is well-represented, the physical sciences are otherwise in short supply. This year's volume is divided into six parts. Part 1, Visions of Space, contains 5 articles about astronomy and the space program, very appropriate for the 40th anniversary of the Apollo landing. The writers range from novelist Tom Wolfe through award-winning science writers Timothy Ferris to Nobel laureate Steven Weinberg, a very nice selection. Part 2 contains three articles on neuroscience by science journalists, including Jonah Lehrer. Part 3, Natural Beauty, gives Dyson a chance to showcase seven examples of beautiful writing about nature by, among others, Matt Ridley, Tim Flannery, Jane Goodall, and David Quammen. Dyson says that Don Stap's "The Flight of the Kuaka" in this section goes "beyond science and beyond poetry", and, indeed, this article alone is worth the price of the book. Parts 4-6, more than half of the book , are devoted to articles about the environment. Part 4 is subtitled Gloom and Doom ; Part 5 has the subtitle Small Blessings; and Part 6 ends on a more upbeat note with Big Blessings. For readers who find 28 articles too few or the selection too narrow, Tim Folger appends a list of Other Notable Science and Nature Writing of 2009. There are also short bios of each author, which is very handy if you discover a new author and want to find some of their other work. It seemed to me that the subject matter this year was more narrow than most of the earlier volumes of The Best American Science and Nature Writing. This may be merely more obvious than in earlier years, when the articles were simply ordered alphabetically by the author's last name. This year's arrangement made the book more cohesive, but I missed the fun of wondering what would be the subject of the next article Nonetheless, only the brain dead would not find something interesting in this collection. It is a great book to keep by the bedside or the fireside for browsing.
Customer review from the Amazon Vine™ Program (What's this?) (I save five-star reviews for rare things like this.)
If you're familiar with this series, you know that they are always going to be excellent, no matter who the guest editor. That might well be because editor Tim Folger preselects 100+ articles each year that his guest editors then winnow down into a volume. But inviting the creaky, ancient maverick Freeman Dyson to be editor? I must admit I was dubious. That lasted about half a page into his introduction, which by itself is worth the price of admission. He immediately makes the point (that I'd completely missed before, despite the actual NAME of the series) that this is just American writing, and therefore doesn't represent all the points of view available. He makes his case by comparing the Russian 100-year vision of space exploration to the American anything-longer-than-a-decade-jest-cain't-be-funded-so-no-point-tawkin-about-it approach, and makes it personal with the tale of his daughter going through cosmonaut training at Baikonur. But then he gets into environmental issues (not his field of study, supposedly) and REALLY hits his stride. It is my field of study, but he approaches it in ways I'd never imagined. He eviscerates environmental posers, alarmists, deniers equally, and backs it up with solid science. He makes a quick detour into calculating how much energy/greenhouse gases could be saved by simply replacing corn-fed feedlot culture with grass-fed culture (the answer might stagger you too: more than the energy used and greenhouse gases emitted by every last automobile in the country). Oh, I got carried away: that's just the first 11 pages! Then there's the articles, always excellent. Dyson singles out one: "But I have to confess that for me, 'The Flight of the Kuaka' is in a class by itself. It is a celebration of nature's glory, going beyond science and beyond poetry." I don't know that it goes beyond poetry, or science for that matter, but "The Flight of the Kuaka" describes a modest, barely-noticed-before shore-bird that summers in Alaska, then migrates to greener pastures like many other birds. But satellite tracking has recently shown that this one migrates CLEAN across the Pacific ocean, 8,000 miles non-stop (including passing over Hawaii at an altitude of two miles), eating its own intestines along the way for nourishment, and finally descending onto the shorelines of New Zealand. Along the way, the article explains that the ancient Polynesians, observing the bird migrating, and recognizing that it was a shore rather than an ocean bird, followed the direction of its flight and discovered Aotearoa, "the land of the long white cloud", now known as New Zealand. I haven't finished all the articles yet, so perhaps there is one that describes the effect the Polynesians then had on Aotearoa, like quickly hunting the giant Moa to extinction, and then they probably turned to eating quite a few Kuaka... And there's 27 more articles where that one came from.
Customer review from the Amazon Vine™ Program (What's this?) I wanted to like this book. It's... okay. You'll certainly learn some good stuff from it -- there's bits on the math behind the subprime mortgage crash, some discussion of mass extinctions, a sketch of Darwin before the Beagle, and the psychology of ant colonies.
I've got two concerns though -- one is that the choice of Freeman Dyson as editor is, while largely an excellent choice, a little strange when it comes to the environmental section of the book. Dyson has a curious position on global warming that is largely at odds with the scientific consensus, not to mention a bit outside his specialty as a theoretical physicist, and he explicitly discusses it in the introduction, making me wonder whether he was able to keep an objective mind about the articles he chose. No question that Dyson brings some serious star power to the book; however, it seems like one of those cases where he probably put more of his own prejudices into the book than he should have. Fortunately the authors' works speak for themselves. The other is the near-total lack of contributions any of the prominent sciencebloggers. PZ Myers, Phil Plait, David Gorski, Harriet Hall, Chris Mooney, Sheril Kirshenbaum, Carl Zimmer -- all have significant amounts of work worth noting; not one of them appears in this book. In 2010, when the closest you come to new media is the odd article from Wired, you just aren't trying remotely hard enough. (Come to think of it, I'll bet there were some awful nice tributes to Martin Gardner that Dyson passed over. Probably deeply unwise.) It's not a bad book, but it's very lackluster. If there's something you want to read in it, the articles are pretty good, but it's not the sort of thing that you would want to buy just to peruse.
Customer review from the Amazon Vine™ Program (What's this?) When I first ordered this book, I had in my mind which categories of articles *I would cover. I was at first, disappointed - he didn't pick the same things I would! That lasted oh, five minutes, as I began reading Dyson's introduction, which was truly superb in itself, and then went on to skip around the book, initially looking at those topics which interest me most - but, I'd end an article, and see the beginning of the next, which would simply grab me right away.
It's a book that is full of wonderful science, but Dyson didn't select only for that... he chose writers whose skills are most evident in their ability to create a story - it's NOT just reporting, it's literature. And that's not something you can say about most science books. There is so much wonderful writing here that rather than list the contents, (which is amply done above and described in the Editorial Review), I'll tell you about some of the writing which 'grabbed' me. Brian Boyd's "Purpose-Driven Life' is perfection - I liked it better than Dyson's admitted favorite, "The flight of the Kuaka" - which is NOT to say that the latter article isn't wonderful at all, it certainly is. Elizabeth Kolbert's "The Sixth Extinction" - in the 'gloom and doom' section, is sobering, yet her way with words is joyous. A wonderful, satisfying experience to read her work. The book opens with Andrew Corsello's "The Believer"... and it's a story about an entrepreneur, Elon Musk... Corsello makes the story downright gripping and you delight with the ideas this man has and the applications he continues to concieve. I cannot say enough about what a wonderful book this is. I can say, Thank You, Freeman Dyson, for NOT picking what I wanted, but for giving me new knowledge and the pleasure of learning in other scientific areas. ... Read more | |
| 3. Deep Survival: Who Lives, Who Dies, and Why by Laurence Gonzales | |
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Editorial Review After her plane crashes, a seventeen-year-old girl spends eleven days walking through the Peruvian jungle. Against all odds, with no food, shelter, or equipment, she gets out. A better-equipped group of adult survivors of the same crash sits down and dies. What makes the difference? Examining such stories of miraculous endurance and tragic death—how people get into trouble and how they get out again (or not)—Deep Survival takes us from the tops of snowy mountains and the depths of oceans to the workings of the brain that control our behavior. Through close analysis of case studies, Laurence Gonzales describes the "stages of survival" and reveals the essence of a survivor—truths that apply not only to surviving in the wild but also to surviving life-threatening illness, relationships, the death of a loved one, running a business during uncertain times, even war. Fascinating for any reader, and absolutely essential for anyone who takes a hike in the woods, this book will change the way we understand ourselves and the great outdoors. Reviews
He explains the paradox so well--that in order to survive, one must surrender, yet at the same time not give in. There must be a sheer raw determination to win the game, yet an acceptance of possibly losing it as well, which paradoxically, gives you an edge. And if you can muster a playful spirit on top of it all, well--then you're just golden. A *great* read.
Gonzales bookends the essays with the story of his father, a scientist who, as a young flier during WWII, was shot down over Germany. He FELL out of his plane--he didn't parachute, he literally fell--and lived through a harrowing recovery as a POW. Why did his dad make it when the rest of his crew was killed? Some of this has to do with events you can't control, and some of it has to do with how to control yourself so that you can find a way out of dire straits. He points out that some people can make every correct decision and end up being killed, while others make every wrong decision and walk out of the woods (or off a mountain...) unscathed. But, you can learn to THINK like a survivor, and greatly increase your chances of getting through what may seem, even to others in the same sinking boat, like a no-win situation. Gonzales's dad taught him, "Plan the flight. Fly the plan, but don't fall in love with the plan." Being prepared is only part of the equation; being able to adjust to changing circumstances is what a lot of us forget about. Reading this book is an adventure in itself. If you're a city dweller, like me, and don't anticipate not having the Sears Tower in your line of sight if you get disoriented, it's still enjoyable, and applicable to what you will eventually experience. This book should be on every high school reading list. (Preferably BEFORE the kid takes driver's ed.) I also recommend Gavin DeBecker's books, such as THE GIFT OF FEAR. He discusses some of what Gonzales does, insofar as honing your inner resources so they work FOR you, but he is also very specific regarding cases of direct threats from other people. Gonzales does discuss how non-survivors can compromise a survivor, but most of what he talks about is environmental. If you are planning a wilderness trip or just a seemingly innocuous weekend hike, this book is a great reality check. It's also an inspiration. Some of these stories are just amazing, and they prove how tough, and sometimes dumb, a species we are.
No! Catastrophes are too complicated, nature is too capricious, and no one can fathom why someone was given -divinely or otherwise- the mental fortitude to survive while another surrenders. Gonzales admits this, but he does better. He shows us that many of those who survive have a mental profile that helps them survive and he encourages us to find this resilience which we all have by varying degrees. He does this through pages of wisdom. So there are 15 chapters, each presenting a main lesson, and a fantastic tale of accidents, catastrope or survival. Minor points in each chapter is supported by 'minor' stories. Thus Gonzales masterfully weaves several stories in each chapter. The stories presented are just awe inspiring. Let me give whet your appetite. Two raft guides steer their boats down a raging river. One notices entire trees racing by and has enough, the other doesn't and dies. A teenage girl falls a mile from an airplane with just her high heels and her dress. She survives, but now must face an inhospitable jungle below. SCUBA divers drown underwater with plenty of air in their tanks. Gonzales does not get into the 'gadgetry' lessons of survival. There are no techniques about how to apply first aid, or rappel a cliff. Instead, Gonzales presents psychology and the neurology of why we make mistakes, why we sometimes do 'bonehead' acts, why some seem to be lucky to never get into trouble, and what it takes to persevere through indomitable odds; the 'survival personality'. He also discusses tightly interlocking safety systems and 'adventure plans' that give us a false sense of security and can exaggerate the problems that they are trying to prevent! Gonzales draws heavily from a few science books which are accessible to most readers. I suspect those who have read this book, may already have read them: -The Emotional Brain by Joseph LeDoux Both these books are very good, and I recommend them. It is not necessary to read them first to enjoy Deep Survival, but reading all three books, will be more enriched. So 'armchair' academics will delight in this original -albeit, light- application of science. Gonzales so masterfully writes that Nature just IS, but the inner world may be against us. So while we cannot control our outside world, we can construct an inner world which will increase our chances of survival. And let me try to abbreviate them here: -Be prepared. Have the proper training. There are about 20 points scattered throughout the book, then nicely summarized in an appendix. These points are illustrated with clear, and non trivial examples. This may very well be the best self-improvement book I've ever read. In addition, Gonzales presents us with other facts and statistics. He discusses the mental stages of being physically lost. He mentions children between the ages of 1-6 having the highest survival rates and why is this consistent with survival psychology/neurology. This wisdom can be applied to anywhere. I have used it in competitive events and it has helped me. I'm pretty sure any outdoors person, adventurers, thrill seekers or vacationer will reread passages from this book before they go out on their journeys. Just like me, the book will have a positive affect on you. I think -for me- it may very well be permanent. I hope that is enough for you to buy this book. Right now, I want to discuss some of the negatives. These are minor, but important points which may enrich or aggravate your reading. So you may want to skip it. I wish this book contained the pictures of the locale of disasters and potential disasters. The lesson that we consistently underestimate nature would be very effective to show an inviting picture of a Hawaiian beach and a caption stating that swimming on this beach will kill you. I'm not exaggerating. Gonzales is too contradictory. A survivor must be one with his world, but a paragraph later, it's important for the survivor to have a private world, and an outside world. A survivor must have empathy for those injured. Yet pages later, the same survivor cuts his friend's rope to save his own hide. Gonzales talks about balancing the rules of survival, but these contradictions are not what he intends, and there are more than just these two. Gonzales admits that nature is capricious; not only do you need to survive, you need luck. But, luck is not emphasized enough. It can't because chronicling survival versus death means one-sided results. Still Gonzales could give forensic stories of survivors who did everything right, and still died. Also remember, not many panicked survivors will readily admit they timidly escaped. Finally, you will mentally compare yourself with these survivors. And, you might ask yourself if you actually want to hike with a survivor. Do you want to be on a raft with a person who wishes an injured person to bleed to death? Do you want to rappel with someone who will cut your rope to save his butt? Do you want to be friends with someone who wishes a cripple will fall off a cliff to make things more convenient for him? I realize by reading this book, I do not have all the qualities of surviving. I'd be the one landing on an exploding grenade to save my comrades and Gonzales would then extol my comrades for surviving. What I'm trying to say is that I sometimes wish Gonzales would tone his prose down. Survivors may be the 'real heroes', but we need all personalities for our species to survive; from the survivors to the martyrs to the techno-geeks which make the med kits and the radios that rescue survivors. Ultimately, nature doesn't give a damn if you are a survivalist or not. Interestingly, the two climbers in the rope cutting incident survived, and continue to climb. It's not mentioned whether the climbers have climbed together since. In summary, Gonzales book is excellent. And deserves multiple readings. Every page is filled with wisdom and science coupled to a vivid story that makes the lesson stick. The lessons you learn will stay with you regardless if you adventure or not. You will awe Mother Nature and be humbled by her. But remember the negatives I mentioned, and you will fully appreciate one of the underlying messages Gonzales has conveyed: that, life is extremely precious. So, savor it.
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| 4. Walden (Concord Library) by Henry David Thoreau | |
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| 5. Insectopedia by Hugh Raffles | |
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| 6. The Last American Man by Elizabeth Gilbert | |
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| 7. Modoc: The True Story of the Greatest Elephant That Ever Lived by Ralph Helfer | |
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| 8. Pilgrim at Tinker Creek (Harper Perrennial Modern Classics) by Annie Dillard | |
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Editorial Review Pilgrim at Tinker Creek is the story of a dramatic year in Virginia's Blue Ridge valley. Annie Dillard sets out to see what she can see. What she sees are astonishing incidents of "mystery, death, beauty, violence." Reviews
I put it baldly, but these and other questions are more the expression on her writing's face than the subject of it. There are details, and funny descriptions, and a rifling through the wonders of her library of naturalists. But, always, there is a person doing all this: walking, having a sandwich, creeping up on a copperhead for a closer look (after patting her pocket to make sure the snakebite kit is there), or just lying in bed remembering a horrifying or glorious experience of that particular day, in the woods, on the banks of Tinker Creek. Have I mentioned the quality of the writing? It's glorious. Part of its appeal is her special mix of jokiness and vernacular combined with high-toned thinking and literary reference, her gee-whiz attitude toward outrageous natural facts always butting in. Part of it comes from her sheer likeability. But all that aside, words do her bidding, and always I find myself pausing and smiling at her mastery. She wonders about beauty, and reacts to beauty. She also, here, has created it. "Nature is, above all, profligate. Don't believe them when they tell you how economical and thrifty nature is, whose leaves return to the soil. Wouldn't it be cheaper to leave them on the tree in the first place? This deciduous business alone is a radical scheme, the brainchild of a deranged manic-depressive with limitless capital. Extravagance! Nature will try anything once...No form is too gruesome, no behavior too grotesque. If you're dealing with organic compounds, then let them combine. If it works, if it quickens, then set it clacking in the grass; there's always room for one more; you ain't so handsome yourself. This is a spendthrift economy; though nothing is lost, all is spent." (chapter 4)
chapter five or six. It creeps in, slowly taking over the positive images and feelings, until you finally find that you are reading about children abusing newts in a state park, or caterpillars walking in the same circle around the same vase for seven full days, because their leader was taken away without their knowledge. Death is a reoccurring theme here. A main question in my class was what happened to make her change styles? Was it planned, or was it the effect of some event--the death of a friend or loved one perhaps? Either way, we read on through the spring and summer, and into the fall. She leads us into a flood, where she says, "I like crossing the dam. If I fall, I might not get up again...I face this threat every time I cross the dam, and it is always exhilarating." Her aesthetic sense of word choice described the monarch butterfly, "A monarch at rest looks like a fleck of tiger, stilled and wide-eyed." We notice though that while she uses such descriptive tone, it is more heavily applied during the via negativa section. The most enjoyable sections for me were her beginning statements, which were filled with stories. Her old tom cat, life's hidden treasures, and even the history of the starlings can be found in the opening paragraphs of each chapter. This catches the attention of the reader, because it is written in an intimate tone, and it prepares them for what lies ahead. Such stories or memories usually reoccur in the end, bringing her point full-circle. Dillard's perspective on religion is questionable. She appears to favor both religion and creationism throughout the book, yet she never sides with one more so than the other. She uses biblical references to Jacob's cattle, a scripture from the Koran, but then also personifies nature, giving it actions of its own free will. She knows stories from the Bible, yet she knows just as much about evolution. A pro-creation/ Christian perhaps? This _was_ written during the 1970's. Perhaps Annie Dillard and Henry David Thoreau do have the same writing-style. Personally I found Thoreau too redundant and long-winded, while Dillard is more natural. One can almost hear her talking; her stories included in the book as reference to a pervious statement are filled with the tone of her voice, although we have never heard her speak. That's a quality she has, making the readers feel as if they have known her for years after reading the book. So why should someone who doesn't take AP English III read Pilgrim at Tinker Creek? Simple. It makes you look at life differently. It gives you a new respect for nature, and a new knowledge of insects and animals. It's good material for anyone doing a report on Eskimos. But overall, it will open your mind to a philosophical side of nature.
Dillard took a great deal of trouble writing this, surely her best work. She wrote, while recovering from a serious bout of pneumonia, by distilling some 22 journals into the final manuscript. Her sense of mortality shows, but the resulting prose is effortless and at times miraculous in itself. Like Thoreau, on whom she had written a thesis, Dillard spent a year in a hut in the woods of a 'rather tamed valley' in order to 'see what I could see' and to seek some answers to some of life's important questions. Whereas Thoreau saw nature as the answer ('in the preservation of the wild is the salvation of the world'), Dillard sees nature as the problem. Why is it so cruel, so gruesome, so seemingly heartless - and yet so beautiful, so alive? As she meditates on the image of a frog, eaten from the inside out by a giant water bug, she asks herself, What kind of God made this kind of world? There are no easy or conventional answers, for 'our life is a faint tracing on the surface of mystery'. The author's aim, if she cannot understand the mystery of horror and beauty that is life, is at least to see it as it really is: 'We must somehow take a wider view, look at the whole landscape, really see it, and describe what's going on here. Then we can at least wail the right question into the swaddling band of darkness, or, if it comes to that,choir the proper praise'. Like the bear who went over the mountain, Dillard claims, all she could see was more of the same. The trick however is not what you see, but the way you see it. Having read this book I for one will never see the other side of the mountain in the same light again. It is now forever more ambiguous, more beautiful and, yes, more holy.
I'll add my two cents to the Dillard vs. Thoreau debate. While many readers--especially high school students--don't see much of a resemblance (mostly because Dillard is so much easier to read), Dillard herself invites comparison by mentioning Thoreau's work half a dozen times. Her style, like Thoreau's, is informal, and her powers of observation are keen. Yet, in my view, there is one important difference between the two writers: Dillard appears to have no interest with the human issues that preoccupied Thoreau: race relations, political activism, egalitarianism--and even environmentalism. In this book especially, Dillard rarely strays from "nature writing," with the exception of a few short passages pondering the role of the "creator" and the place of humans in the universe and one ill-conceived section in which she mangles quantum physics in metaphorical support of some insights on "mysticism." Many readers are enamored by Dillard's prose style, and I will confess to bafflement on this point. All too often, she abandons understated lyricism for Hemingway-inspired simplicity: "It is winter proper; the cold weather, such as it is, has come to stay." "It is early March." "It is spring." "Now it is May." "It's summer... It's summer now: the heat is on. It's summer now all summer long." "In September the birds were quiet." As with Hemingway's work, Dillard's writing can sometimes be elegant in its simplicity, but just as often, I found that she had forsaken the realm of the simple for the simplistic (and even the simple-minded). The paucity of her own prose becomes most apparent when she quotes or paraphrases other authors (such as Edwin Way Teale, whose book on insects provided much of the source material for the mesmerizing episodes in her chapter on "Fecundity"). Dillard confesses that she is "not a scientist"--and she is certainly not a philosopher. Her abstract musings are unsophisticated; the chapter on "The Present," for example, is notable for its fuzziness: "What I call innocence is the spirit's unself-conscious state at any moment of pure devotion to any object. It is at once a receptiveness and total concentration." During passages like these, Dillard is no longer serving up pop metaphysics, she's unabashedly belaboring the obvious. More than a few readers and critics have accused Dillard's works of being hollow and pointless, but I'm not sure I would go that far; her books do contain some beautiful and consequential descriptions. Yet, ultimately, it's a matter of taste: I prefer the meatier, methodic, thesis-driven, grounded works of such writers as Rachel Carson, John McPhee, Diane Ackerman, and (yes) Thoreau to Dillard's sauntering diaries.
Many of us harbor some vague inkling of lives that once had meaning. When we least expect it we almost get a glimpse of that lost and forgotten natural paradise behind the shimmering backdrop of our everyday lives. Perhaps it happens just after we stoop to retrieve our morning newspaper from the front step or when we lift our eyes from the line of slow moving traffic on that endless commute home to sense for an instant something hidden and forgotten behind the suburban landscape or city skyline. In Pilgrim at Tinker Creek Annie Dillard reminds us with great clarity that we are all vessels for wonder. Much can be made of Annie's prose poetry and poetic prose. Quotes abound in the many enthusiastic reviews to be found here, all praising her power to convey deep meaning through words. Though not a religious person, I am much reminded of the 23rd Psalm when I re-read this wonderful book. The words of Pilgrim restore the soul and lead us to calming still waters-they anoint us with immense and endless yearning and refresh us in remembering a natural world too often drowned out by honking horns and the ubiquitous TV. Dillard's Pilgrim is a deep and calming meditation. For those readers seeking light diversion or a clever story, look elsewhere. For those who hunger for meaning and enlightenment, who find beauty in nature and who have never forgotten the sublime wonderment of childhood or the thrill of transcendent experience, this book will transport you. I have no quarrel with Thoreau, but for me, Annie Dillard's Pilgrim at Tinker Creek outshines Walden. Read it! ... Read more | |
| 9. The Unsettling of America: Culture & Agriculture by Wendell Berry | |
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| 10. Snow Play by Birgitta Ralston | |
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| 11. The Etiquette of Freedom: Gary Snyder, Jim Harrison, and by Gary Snyder, Jim Harrison | |
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| 12. The Snow Leopard (Penguin Classics) by Peter Matthiessen | |
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One reviewer bluntly summarised his opinion of this novel as "THE SNOW LEOPARD is the best book I've ever read. Period." I agree.
In sum, it is Peter Matthiessen's recounting of his trek in the Himalayas with the naturalist George Schaller to establish a new national park on behalf of the Nepali government.In substance, it is a luminescent prose poem of a spiritual journey through a universe in which the mundane is holy, the sacred is the commonplace and the profane is touched with glory. My copy has traveled throughout the world with me, the one indispensable item I take with me when leaving home. No review can do such a magnificent book justice. Read this book.
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| 13. Mind of the Raven: Investigations and Adventures with Wolf-Birds by Bernd Heinrich | |
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Editorial Review Heinrich involves us in his quest to get inside the mind of the raven. But as animals can only be spied on by getting quite close, Heinrich adopts ravens, thereby becoming a "raven father," as well as observing them in their natural habitat. He studies their daily routines, and in the process, paints a vivid picture of the ravens' world. At the heart of this book are Heinrich's love and respect for these complex and engaging creatures, and through his keen observation and analysis, we become their intimates too. Heinrich's passion for ravens has led him around the world in his research. Mind of the Raven follows an exotic journey—from New England to Germany, and from Montana to Baffin Island in the high Arctic—offering dazzling accounts of how science works in the field, filtered through the eyes of a passionate observer of nature. Each new discovery and insight into raven behavior is thrilling to read, at once lyrical and scientific. Reviews
I saw this book, and thought: its about time I learn something about the minds of these animals. Why do they do what they do? Well ravens are more interesting than I thought. Makes one wonder why social scavenger-hunters (humans, coyotes, ravens) turn out so clever regardless of where they pop out of the animal kingdom. BUT EVEN MORE IMPORTANT... Prof. Heinrich's narrative is totally engaging and entertaining. I found myself laughing over and over gain as he quietly dropped comments about famous ornithologists that have died climbing trees, or the risks involved in demonstrating which bumblebees are edible to one's experimental charges (ie showing young ravens what's good to eat). It becomes very clear ethologists are an interesting species in themselves. If you're interested in birds, or have ravens around, or generally interested in experimental ethology: this one is among the best
Heinrich combines studies in the field with "experiments" performed in large aviaries. Although an avid runner, he loathes climbing trees. Of course, that's where ravens roost and nest. He climbs. He photographs. He steals eggs [to record parental response before restoring the eggs to the nest]. All of which provide him with more information on how ravens live. And think. Universally acknowledged as the most intelligent birds, ravens have demonstrated to Heinrich how little we understand that cognitive ability. This book's title is indicative of their behavioural variety. Chapter titles, ""Social Webs", "Vocal Communications", "Prestige", "Morality, Tolerance and cooperation" and "Play" [yes, ravens play, apparently for their own entertainment] speak volumes about how much has been learned about these amazing creatures. The text within them reveals we've only begun the quest for understanding. Whatever else may be derived from this informative book, Heinrich's plea for more studies is earnest and compelling. He is open with his admiration for the talents of his student assistants, but, clearly, there aren't enough of them. Heinrich's study area reaches from Maine to anywhere. If you've ever watched a raven tearing at a trash bin, you'll understand Heinrich's hesitation at visiting "Jakob's" home in Germany. He was amazed to enter a neat, well-kept apartment instead of a scene of chaos. Jakob was as fastidious as his doctor owner. He even restricted his paper diet to junk mail. Among the wealth of accounts in this book, the most intriguing remains the relationship of ravens and wolves. It seems logical that ravens have learned to follow wolves. Evolution has taught them the advantages of following an effective predator. Heinrich, however, proposes this interaction works two ways with ravens guiding wolves to prey. He suggests that early humans, still killing quietly, may have cooperated with ravens in a similar way. Offsetting Heinrich's wealth of information is the style he uses to present it. While no-one should object to his highly personalised account of his research and interests, some of the details might have been shaded or omitted. It's fascinating to accompany his waiting for local ravens to descend on his prepared bait [a quarter of a dead calf or road kill groundhogs]. That the sequence began at 05:29 on the morning of 08 May is less compelling. Especially when that type of detail is repeated frequently. This lapse of interest-garnering is wholly overshadowed by the variety of experiences in many places Heinrich recounts. Additionally, his photographs and drawings illuminate further what he relates in the text. With an excellent bibliography to further anyone's reading, this is a treasure of a book.
As a wildlife rehabilitator and one who has been in the process of attempting to release an imprinted raven to the wilds, I have witnessed in this bird, many of the behaviors described by Mr. Heinrich, as he applies them to the eastern / northern subspecies of Corvus corax, called C.c. principalis. Since I am on the west coast and dealing with the smaller subspecies, C.c. sinuatus, I can only surmise that the behaviors he ascribes to his eastern broods are going to be similar to my western friends. Though indeed they are, I must also keep in mind that just as certain jay species have certain geographical dialects, so ravens must also, and this variable can also apply to behavior. Thank you, Bernd Heinrich, for publishing this wonderful work! I am in the midst of reading it and find it extremely valuable to my own studies and am consisistently engrossed and enthralled, entertained and educated, by your observations put into writing. As with Ravens In Winter, I am finding Mind of the Raven intensely gratifying in answering some of my questions and equally surprising in discovering that there is still so much more we need to learn about ravens as a species and corvids as a whole. Indeed, we can also learn something of ourselves, somehow. . .
This particular book examines the intelligence of ravens, birds that some disdain to their eternal error. Primitive peoples, who were far closer to nature than ourselves, readily understood and appreciated the cunning, slyness, and outright cognitive ability and reasoning possessed by the remarkable raven. Numerous legends, including Biblical references, prove the point. Heinrich refreshingly shows how scientists are rediscovering these traits, at long last. I am no expert on birds or avian science, but I am a country boy who spent a good many hours watching birds in action. Ravens were always interesting to me, and are far more so after reading this wonderful book. I would have appreciated more photos and diagrams, but this is a minor quibble. I recommend the book highly, and urge you to read it. You will be continualy amazed, and the book will hold your attention to the end.
In the case of Dr.Heinrich I find that even when he makes an assumption it generally becomes fact with hard evidence to back his views. To read Mind of the Raven after reading his earlier book Ravens in Winter is to watch wisdom developing in what was already a very wise being. Mind of the Raven should be mandatory reading in all of our schools.It is an excellent example of how we should view all life forms within our world. With curiosity and understanding. JR.Inghram ... Read more | |
| 14. John Muir : Nature Writings: The Story of My Boyhood and Youth; My First Summer in the Sierra; The Mountains of California; Stickeen; Essays (Library of America) by John Muir | |
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"Muir: Nature Writings" is a collection of the writings of this Scottish expatriate who first stepped foot in America in 1849 as an eleven year old brawler and budding naturalist. Blessed with a childhood mastery of Latin and Greek as well as a discerning and disciplined eye, the learned boy possessed a poet's heart, a scientist's mind, and a theologian's soul. A genius, who as a teen whittled precision wooden scientific instruments, Muir used his diverse skills to vividly portray nature's life and death struggles on his family's Wisconsin farm in "My Boyhood & Youth." Here we find Muir learning to swim by observing frogs or recollecting the mindless slaughter of the Earth's most numerous bird, the now-extinct passenger pigeon, a forlorn tale that foreshadows the conservationist he was to become. While in college polishing his mechanical skills, Muir was detoured into studying botany. Dropping out to make powered tools for factories, an accident left him rethinking that detour; he forsook the factory and walked across America. His journey led him to the Sierra Mountains, chronicled in "My First Summer in the Sierra." Now working as a shepherd, Muir drove his flock through Yosemite while making detailed nature studies. Marveling at the natural beauty of the land he would eventually champion as one of the first National Parks, Muir wrote: "We are now in the mountains and they are in us, kindling enthusiasm, making every nerve quiver, filling every pore and cell of us. Our flesh-and-bone tabernacle seems transparent as glass to the beauty about us, as if truly an inseparable part of it, thrilling with the air and trees, streams and rocks, in the waves of the sun, - a part of all nature, neither old nor young, sick nor well, but immortal." Muir's writings here run the gamut from analytical to thrilling. In "Stickeen", the author and a canine companion cheat death while stranded mid-storm between crevasses of an Alaskan glacier. (A self-taught authority on glaciers, Muir would eventually have one in Alaska bear his name.) "The Mountains of California" is an in-depth look at the geologic formations, plants, and animals of the region. In this piece, he tells of being stuck on the side of volcanic Mt. Shasta, staying warm in the bitter cold by nestling up to steam vents. Muir also laments the loss of the vast meadows of the San Joaquin Valley as he discusses how to make a living post-Gold Rush by raising bees for honey. What makes Muir so unique when compared with today's environmentalists is this belief that we can live in harmony with Creation if we take simple steps to prevent despoiling it. In "The American Forests" he wrote: "No place is too good for good men, and there is still room.... Every place is made better by them. Let them be as free to pick gold and gems from the hills, to cut and hew, dig and plant, for homes and bread...." Muir's balanced view of Man's place in the wilderness overwhelmingly reflects his Christian faith, for he never fails to stand in awe of each living thing God has made. That our government leaders were so swayed by Muir's writing attests to the power of his "holy" persuasion. All of us are indebted to John Muir's single-minded devotion to America's wilderness. ("Muir: Nature Writings" is part of the Library of America series. This diverse collection of the writings of great Americans ranges from sermons of early American preachers to analysis of the Vietnam War. The works of Abraham Lincoln, Mark Twain, Ulysses S. Grant, Flannery O'Connor, and James Thurber are but a few that comprise the series. An invaluable lookingglass into the heart and soul of our nation, this collection is essential reading for anyone who longs to know what makes America unique.)
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| 15. The Spell of the Sensuous: Perception and Language in a More-Than-Human World by David Abram | |
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| 16. 2011 Four Seasons Calendar by Perfect Timing - Lang | |
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| 17. Walden; Or, Life in the Woods (Dover Thrift Editions) by Henry David Thoreau | |
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Thoreau was certainly not alone in the woods. Apart from the many visitors he welcomed, he took frequent trips "into town," or met woodchoppers and ice cutters during his marathon sojourns through the fields and forests surrounding his wooden castle. While most men, as he famously said, "led lives of quiet desperation," Thoreau seemed to soak up the life and energy of every waking hour, giving him an inexhaustible supply of earthly happiness. There was nothing quiet or desperate about Thoreau. Classically-educated Thoreau was patently devoted to the writings of ancient authors, but to him the words and pages written by Nature were far more interesting and pleasing than histories in Latin or 2500 year-old Greek sagacity. In fact, Thoreau read very little during a good portion of his Walden experiment. He preferred sometimes just to sit on his doorstep from morning to noon, steeped in the sights and sounds of the abundant nature surrounding him. Of course he also wrote. But the Walden we read today is not simply a collection of his raw, day-to-day diary reflections. In fact, it wasn�ft until a few years later that he expanded and painstakingly polished the rough journal entries he made during his stay in the woods. Whatever the case, the writing in Walden is brilliant throughout. Foremost, Thoreau was a writer�ca profoundly masterful one at that. People read his Walden for a variety of reasons. I read it because it speaks with an immortal voice...and every word, phrase and sentence resounds with transcendent clarity. This simple little book is so full of hope, wisdom and inspiration that one can read it a thousand times and each time discover a new kernel of brilliance or vision. During his lifetime, traditional success would never be his. But you would have had to argue with him over the definition of success. "The life which men praise and regard as successful is but one kind," the author so wisely said. It is precisely because of such profundity that his "success" is guaranteed for as long as people still read good books. "Follow your genius closely enough and it will not fail to show you a fresh prospect every hour." --H.D.T.
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| 18. All Creatures Great and Small (20th Anniversary Edition) by James Herriot | |
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The book opens (after a brief chapter taking place several months later) with James arriving in Yorkshire, to be the assistant to the eccentric but kindly Siegfried Farnon (yes, that is his name). He becomes accustomed to Siegfried, Siegfried's mischievous younger brother Tristan (yes, that is his name), and the gruff, kindly farmers who eke out a living in the Yorkshire Dales. Pampered pooches who are spoiled rotten, savage pigs who chase Tristan around the farm, a nightmarishly strict secretary who drives Siegfried up the wall, James's car-with-no-brakes, cows running on three cylinders, a sadistic vet who makes James wear a rubber bodysuit, and an elderly, immensely wealthy widow who adopts a pig. And through this, James falls in love with the beautiful Helen Alderson and worms his way into the trust of the farmers. James Herriot (real name, James Wight) was truly a one-of-a-kind man. He let readers into his head throughout the book, where the cows kick him across the yard, farmers often treat him as an interloper or a nuisance, and his boss gives contradicting orders from one day to the next. But he never loses his drive or his love of animals. (Okay, he hates some animals, but only as individuals) He even lets the readers see him at his worst, when he's humiliated by some recalcitrant livestock, and one horrible scene where he and his date show up drunk and mud-smeared in front of the girl he adores. (Not to mention when Tristan got him to use very feminine-smelling bath salts) But don't think that all of these stories are funny or romantic -- quite a few are aggravating or outright sad. James didn't soften the blows at all. The people around James are just as fantastic: Siegfried, his weird but genial boss who can kick Tristan out of the house and forget about it overnight; Tristan, the mischievous anti-scholar who usually manages to keep out of trouble; and Helen, who seems a little too saintly at times (which isn't surprising, since James married her). There are a lot of details about surgery and stuff like that that will gross out the squeamish, but at least you'll learn a lot of medical trivia. (For example, what is a torsion?) It's sweet, sad, funny, romantic, dramatic. "All Creatures Great And Small" (and its four sequels) is a fantastic read for all ages.
I can't believe these stories are 30 years old, and Dr. Herriot has passed on. Thankfully he left this legacy behind for us to savor. These are books to re-read on dreary days with a cup of tea or just when you really need something to lift your spirits.
This is an animal lover's delight - but it's much more than that. Follow the young James Herriott as he starts his adventure as a country veterninarian. You feel his pain and joy as he experiences failures and successes. His courtship with his wife-to-be Helen is poignant. Herriott tells it like it is: there's no fancy stuff. Don't let that make you think this is dull. Herriott's descriptions of the landscape and characters make you feel like you're there: the sights and smells he describes tantalize your senses. You can smell the fresh country air, the hearty farm meals, and so much more. This is a book that will delight young and old alike. Read a chapter and it's a mini-book in itself, or curl up for the long haul. I found it very hard to put down. You'll be enchanted by Herriott's adventures (and misadventures) and find yourself laughing and crying. Even after 5 reads, I'm ready for another. This stuff never gets old.
His descriptions of the situations he was in, were right on. Being British, and the grandson of a blacksmith, I could easily picture in my mind what kind of weather he was experiencing, or how dark a barn, byer, or piggery might be. His characterizations of the local farmers and townspeople were great, and he met some really interesting people! The book left me with a new respect for what life was like for people in the days when life seemed so much simpler than what it is today. I have just started "All Things Bright and Beautiful", and look forward to completing it, and the rest of Herriot's books in the future.
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| 19. Walden: A Fully Annotated Edition by Henry D. Thoreau | |
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| 20. A Natural History of the Senses by Diane Ackerman | |
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